I would like to draw attention to the conflict that Jullien seems to be
acknowledging and evoking. However, unlike Caroline, I do not wish to talk
about the Greek (West) and China (East) methodology for war; instead, I think
it is important to draw attention to Jullien's deciphering of both West's and
East's understanding of history. It
should be noted that I will be discussing Eastern and Western conceptualization
of history of which I believe Jullien uses to refer to both Chinese and Greek
paradigms.
Thinking about Jullien's text as an
instructional tool for not only understanding the contrast of war tactics
between both Chinese and Greek but a means to understand how Western thought
and Eastern thought remains at conflict with each other, I am made aware at the
larger role that history plays in building a nation, a people, and a philosophy
all of which Jullien draws attention to in his text.
The introduction of the text makes
apparent the obvious positions of ambiguity that Jullien's text seems to occupy
because of it exploration of the Chinese concept and term shi and because of Jullien's own identity
as a Westerner.
I would like to draw attention to a
portion of the text that I believes highlights what it is I am trying to say.
In the following portion of text, the distinction between Eastern and Western
conceptulazations o history is revealed:
“When compared with elaboration of
Western thought, the originality of the Chinese lies in their indifference to
any notion of telos, a final end for things, for they sought to interpret
reality solely on the basis of itself, from the perspective of a single logic
inherent in the actual process of motion.” --17
For the Chineses history and time
are not linear but something else. With the term motion as mentioned in the
quote above, I am encouraged to think about a continuous cycle that has no
ending nor Beginning---shi; (Ying and Yang)
Western thought, with the examples
of Aristotle and Hegel, conceive of history as a relation between a means and an end-- a concept of
progress. Conversely, Eastern thought
does not see history as providing a means to and end or a metaphor for
progress. History to the Chinese just is. While for Westerners history is
finite, it is infinite for the Chinese.
Jullien distinguishes between the
two well here:
“In China history as a genre focuses
on its attention not so much on events or facts but rather on charge. It is
never presented as a continuous narrative. Instead facts and/or events figure
more as reference points in the evolving
process. For Western thought, history concentrates on events or facts, that
choice in the selective editing reality surely reflects our own metaphysical
prioritizing of individual entities. …. The Chinese tradition, in
contrast, gives priority to relations.”----211
The major difference state above is
not how either region accounts for history (facts/ evolving process) but how
history is imagine within both potions of thought. For the West, history being
a linear chronology of events that leads somewhere and for the Chinese, history
being fragments-- a series or vessel of
parts that make up an continuous process, and narrative-- a map of potentiality
and possibilities that make up a reality of experience.
Perhaps the best way to sum this up
is that the West fears the future and the Chinese lives for the now.
Jullien's discussion of Chinese
art, calligraphy, and literature are just a couple examples given to set up the
contrast between Eastern and Western thought.
Instruction 5: Write down five ways, from your own personal knowledge, that Western culture differs from Eastern culture.
Instruction 5: Write down five ways, from your own personal knowledge, that Western culture differs from Eastern culture.
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